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Born just outside London in 1942, Glyn Johns was sixteen years old at the dawn of rock and roll. His big break as a producer came on the Steve Miller Band’s debut album, Children of the Future, and he went on to engineer or produce iconic albums for the best in the business: Abbey Road with the Beatles, Led Zeppelin’s and the Eagles’ debuts, Who’s Next by the Who, and many others. Even more impressive, Johns was perhaps the only person on a given day in the studio who was entirely sober, and so he is one of the most reliable and clear-eyed insiders to tell these stories today.
In his entertaining and observant memoir, Johns takes us on a tour of his world during the heady years of the sixties, with beguiling stories that will delight music fans the world over: he remembers helping to get the Steve Miller Band released from jail shortly after their arrival in London, he recalls his impressions of John and Yoko during the Let It Be sessions, and he recounts running into Bob Dylan at JFK and being asked to work on a collaborative album with him, the Stones, and the Beatles, which never came to pass. Johns was there during some of the most iconic moments in rock history, including the Stones’ first European tour, Jimi Hendrix’s appearance at Albert Hall in London, and the Beatles’ final performance on the roof of their Savile Row recording studio.
Johns’s career has been long and prolific, and he’s still at it—over the last two decades he has worked with Crosby, Stills & Nash; Emmylou Harris; Linda Ronstadt; Band of Horses; and, most recently, Ryan Adams. Sound Man provides a firsthand glimpse into the art of making music and reveals how the industry—like musicians themselves—has changed since those freewheeling first years of rock and roll.
“Glyn Johns was there. He was there at some of the most important recording sessions in rock and roll. Reading his book, you are standing beside him as he sets up the studio in readiness for the arrival of groups like Led Zeppelin, The Beatles, and The Rolling Stones. For me it is a fantastic romp through the pages of rock and roll history.” —SIR PAUL McCARTNEY
“If you remember the sixties, then you probably weren’t there, unless of course your name is Glyn Johns. Sound Man is an intimate, humorous journey through the corridors of the music industry, as told by one of the greatest record producers of all time. I’m proud to be mentioned here and there, and to have worked with Glyn on so many memorable occasions. A great read!” —ERIC CLAPTON
“Sound Man opens with a declaration: A record producer has to have an opinion and the ego to express it more convincingly than anyone else. So Glyn Johns has stood his ground with a few bigheaded rock stars? I must be the exception. I’ve only had transcendental moments in the studio with Glyn. Returning to the control room after a studio take I often felt like running: the joy of hearing what Glyn had created out
of the glue-and-string that was The Who was like a drug. He is an artist himself of supreme talent and experience.” —PETE TOWNSHEND
“Sound Man will make readers aware of the many sides of Glyn Johns, a giant of a man and one of my best friends from the moment we met in 1963 to the present day. Apart from his genius behind the faders and his success as the producer of myriad hits, his humor comes through here, together with his unfailing desire to do the very best work he could in the face of some frighteningly egotistical artists.” —BILL WYMAN
“Glyn Johns has been a very important person in my recording life (and also his brother Andy). Glyn was the first recording engineer who helped me to understand recording and through that he was very supportive in introducing me to a lot of sessions with important people such as Ben Sidren, Leon Russell, Ronnie Lane, Pete Townshend and Howling Wolf. This together, of course, with many of the great recordings he did with us. He is one of the best.” —CHARLIE WATTS
At the Windham Ballroom on Saturday, October 15, Mr. Johns will talk about his life and times.
Don’t miss this rare opportunity to catch a glimpse from the inside. The event is a benefit for community radio station WOOL91.5. Mr. Johns’ recent memoir, Soundman, will be for sale at the event. We’re so lucky that he’s coming to Bellows Falls and offering his time.
Tickets are $10 and proceeds benefit local community radio station WOOL. Seating is limited.
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